Coronavirus: Week eight in self-isolation
Lockdown restrictions have been eased slightly by the UK government this week. It’s not made much of a difference to my personal situation though; I’m still self-isolating as a precaution and working from home.
At this point, all the weeks are becoming quite similar. I’m trying to take it one day at a time. I find that easier to think of than how long I might be at home for. My own situation will probably need to last until the end of June, at the earliest. Longer than I initially expected.
The hardest thing to come to terms with is, when I do eventually finish my period of self-isolation, things won’t be like they used to. When I return to my usual work base in Carlisle, I won’t be able to hug colleagues who I haven’t seen for months. Instead, we’ll stay two metres apart. There’ll be leaves on the trees on the road leading up to our house, which I haven’t yet seen. People will be wearing PPE on public transport. The list goes on.
For some people, the prospect of not leaving the house for more than two months must seem daunting. The reality is that it’s just become a way of life for me now and I’m used to it. The key thing is to try not to dwell on the negatives. There are some positives to quarantine, like reading more books, re-discovering music (really listening, not just having it on in the background) and having time to reflect about ourselves. Life usually comes at a fast pace and, if anything, slowing down means we’re able to take stock.
Over the past week or so I was nominated on Facebook to post the covers of 10 albums which greatly influenced my taste in music. A challenge right up my street! I thought I’d elaborate a little about my choices. Here we go then, in no particular order:
I love the ‘chillout’ genre. To me, Zero 7’s first album epitomises everything I love about that style of music. Simple Things features the wonderful Sia Furler on many tracks. The very first radio interview I did was with Henry Binns and Sam Hardaker for Fuse FM, ahead of a great gig at Manchester Academy in 2009.
The track Eple was what first introduced me to the electronica genre of music. I feel this was when I was truly developing my own taste, rather than being influenced by my Mum’s Easy Listening or Dad’s Prog Rock. This is a brilliant album from the Norwegian band which has downtempo and house influences.
Wonderwall was the first single I bought. Back in the days when you had to physically go into a record store to do something like that. (It seems a world away from these current times of downloads and streaming! Sad to think the occasion of doing that is now lost, but the modern day way is more convenient and instant, I suppose.) Wonderwall is included in this album, along with many other iconic tracks. Listening to Oasis makes me think of my proud Mancunian roots.
Long before Coldplay were a band headlining stadiums, this was their first studio album. I remember being blown away when I first heard the track Yellow and followed the band since then. Their sound has developed, over the years, but there’s something still very special about this debut album.
I could have chosen any of Jamiroquai’s studio albums to be included in this list. A Funk Odyssey was what I heard that made me want to discover more about the band though. I loved their fusion of acid jazz with the pop genre. When I was with Fuse FM, I presented an overnight special feature the back catalogue of Jamiroquai’s music. Great memories.
The distinctive sound of French House music, which the Daft Punk duo are the masters of. There’s so many fantastic tracks on this album. Digital Love was the first I encountered by watching a music video channel. This album makes a good use of sampling from other songs. This is what has often encouraged me to seek out how the original pieces sound too. A ‘Discovery’ indeed. (I actually wrote about the sampling of George Duke in Daft Punk’s Digital Love in this blog, seven years ago this month. Time flies!)
I received M People’s final studio album on cassette for Christmas in 1997. It features the inimitable voice of Heather Small. There’s something so joyous about the band’s sound that I love and there’s a great cover of Roxy Music’s Avalon on this album. The band have another Manchester connection for me. I saw them perform live years later at the city’s arena, which is one of my most memorable gigs. We literally went down Angel Street to get there as well.
Another from the House / Dance genre. This album was recommended for me to listen to and I’ve been a fan ever since. It got me through a long coach journey to France as a teenager, listening on repeat! The individual tracks are all good but the album as a whole tells a story with music. I was lucky enough to see this performed live at Manchester Academy in 2010. Great to just lose yourself in while listening.
Well, what can I say about this masterpiece that won’t have already been said over the years? The full Tubular Bells remains one of the best pieces of music I’ve ever heard; there’s so much variety to it. It’s difficult to hear the beginning an not think of the film The Exorcist though, but there’s so much more to it than that. A truly epic listen. Play it loud!
I had to make a nod to my passion for musicals somewhere in this list and Grease was probably the catalyst for me. So many hits from the film but what’s great about the soundtrack album is that it also includes the Sha Na Na tracks from the school dance scenes. I had this album on cassette and have a feeling it may have worn out from being played so much!
It’s obvious, from looking at those choices, that 2001 must have been a pivotal year for shaping my musical tastes. Other years have great influence too, many dating back before I was born, and not just limited to this list. I don’t get it when people say music “wasn’t from their era”. The great thing about discovering music is you can listen to anything and develop an appreciation for it. In the Internet age, it’s easier to do than ever before.